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The Beatles - Revolver Files: Studio Sessions And Outtakes 1966 Album

The Beatles - Revolver Files: Studio Sessions And Outtakes 1966 Album

Performer: The Beatles
Title: Revolver Files: Studio Sessions And Outtakes 1966
Style: Rock & Roll
Released: 2016
Cat#: EOS-420
Country: Mexico
Label: Eye Of The Storm
Size MP3 version: 2948 mb
Size FLAC version: 2750 mb
Size WMA version: 2404 mb
Rating: 4.4
Votes: 746
Genre: Rock / Pop

The Beatles - Revolver Files: Studio Sessions And Outtakes 1966 Album


Tracklist

1Eleonor Rigby
2Taxman
3Love You To
4Tomorrow Never Knows
5Rain
6For No One
7She Said She Said
8Good Day Sunshine
9Yellow Submarine
10I'm Only Sleeping
11I Want To Tell You
12Paperback Writer
13And Your Bird Can Sing
14Rain
15Got To Get You Into My Life
16Doctor Robert
17Here, There And Everywhere

Notes

Double CD packaged in cardboard mini (LP-style) gatefold sleeve. Includes exclusive artwork, detailed inserts with pictures, texts & detachable promo strip.

Album

Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single Eleanor Rigby, Yellow Submarine. The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in popular. The Beatles photos Revolver Sessions. The Beatles - Revolver Outtakes Medley - Продолжительность: 2:41. 1: Beatles - Revolver 1966. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. The Live Studio Sessions 1966-1968 Remastered - Cream. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. The Live Studio Sessions 1966-1968 Remastered. Исполнитель: Cream. Revolver - The Beatles. Популярно у слушателей. Исполнитель: The Beatles. 1966 rock n roll. The Beatles' seventh album was released in early August 1966. Following the release of Rubber Soul the group had embarked on what was to be their final UK concert tour and following a lengthy break, they returned to Abbey Road to record continually for three months. The first recordings released from these sessions, engineered by Geoff Emerick, was the single Paperback Writer and Rain and those tracks gave an indication of what was to come. Having longer in the studio had paid off with greater creativity and experimentation and with John and Paul in fine form as writers. George also made his mark with three of his compositions appearing on a Beatles album for the first time. Формируйте собственную коллекцию записей The is the seventh studio album by the English rock band the Beatles. Released on 5 August 1966, it was the. retirement as live performers and marked the group's most overt use of studio technology up to that time, building on the advances of their 1965 release i a href pagesw105623749471091 Rubber Soula i. The album's diverse sounds include a href pagesw112219198797587 tape loop. Revolver Recording Sessions. The Beatles - Rubber Soul Studio Sessions: Back To Basics 2011. The History of Strwberry Fields Forever. The Beatles - The Esher Demos 1968. The Revolver Sessions. The most complete collection of rarities album REVOLVER. Format: mp3 256kbps quality Includes artwork. NEW LINKS. Apr 7th 1966 - Studio 3, 2:30-7:15pm 4. Tomorrow Never Knows - tape loops 5. Tomorrow Never Knows - SI onto take 3 - loop track. Apr 7th 1966 - Studio 3, 8:15pm-1:30am 6. Got To Get You Into My Life - take 5 - rhythm track 7. Got To Get You Into My Life - SI onto take 5 - vocals. Apr 8th 1966 - Studio 2, 2:30-9:00pm 8. Got To Get You Into My Life - take 8. The album's 14 tracks as well as the Paperback WriterRain single recorded at the sessions but released earlier in May all head straight into this brave new direction. It's the first rock album that was really put together as an entire piece. Frank Sinatra had been exploring the concept for more than a decade, but most pop and rock artists were still in the mindset that singles guided sales, and LPs were afterthoughts in the marketplace. Through it all, the Beatles test the limits of what they could do in the studio